Archive | March, 2008

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The art of bonsai


“Bonsai art is the display of a landscape - without the landscape.” –Nobu Kajiwara

This quote couldn’t be truer. Growing and sculpting bonsai trees can be quite a satisfying hobby. It is a hobby; however, that requires a tremendous amount of patience. When you take a simple sapling and mold it to your desire, you’ll be rewarded with a beautiful piece of art you can truly be proud of!

The term bonsai literally means plant in a pot or tray planting. Bonsai however is much more than simply a plant in a pot. The goal of bonsai is to create the appearance of great size and age. This is accomplished by creating a bonsai with strong roots that extend in all directions, creating a sense of stability, a large trunk which tapers as it goes upward, a clear apex, and well formed and well placed branches. These features all combine to create a careful blend of symmetry, balance and proportion. It also must be displayed in a pot which harmonizes well with the plant material.

Bonsai is the art of growing trees in a confined space to simulate certain environmental conditions such as great age, extreme weathering, twisted or contorted form, landscape, or other factors. Bonsai trees are modeled on and take inspiration from nature. The idea of bonsai is to recreate some of nature’s most stunning and beautiful effects on trees which are reduced in scale.

When undertaking bonsai, you are beginning an experience that will expand your horizons in countless ways. You may find a new sense of appreciation for nature; you may start looking at trees, bushes and shrubs differently. You will certainly find yourself looking around all the “worst parts” of your local nurseries where they keep the plants that most people wouldn’t look twice at. How the art of bonsai will change you is as unpredictable as nature itself, but be assured of one thing: Bonsai will change the way that you look at things.

To the Japanese, there is a link to many of the ideals that their society is based on. Zen Buddhism - where the pastime originated, man, nature, elements and change all are intertwined into this unique method of meditation and expression. To our world now, bonsai is viewed as a hobby that allows a greater understanding and being with nature and also a way to enhance our gardens.

The tree and the pot involved with bonsai form a single harmonious unit where the shape, texture and color of one, compliments the other. Then the tree must be shaped. It is not enough just to plant a tree in a pot and allow nature to take its course - the result would look nothing like a tree and would look very short-lived. Every branch and twig of a bonsai is shaped or eliminated until the chosen image is achieved. From then on, the image is maintained and improved by a constant regime of pruning and trimming.

Bonsai is the art of dwarfing trees or plants and developing them into an aesthetically appealing shape by growing, pruning and training the trees into containers according to prescribed techniques.

Overall, bonsai is a great interest, hobby or even profession to undertake. Although famous theologians have claimed that it is actually 90% art to a meager 10% of horticulture, it has to be said that a successful bonsai is most definitely a horticultural masterpiece.

Once arriving in the Western world, this enjoyable and rewarding pastime has never turned back, and has gained a magnificently diverse range of plant material and techniques.

Given proper care, bonsai can live for hundreds of years, with prized specimens being passed from generation to generation, admired for their age, and revered as a reminder of those who have cared for them over the centuries. Although these bonsai are extremely beautiful - meticulously cared for over the years and containing such a wealth of knowledge, age is not essential. It is more important that the tree produce the artistic effect desired, that it be in proper proportion to the appropriate container, and that it be in good health.

Bonsai is an artistic representation of a natural tree. It is an image, an illusion of nature. It is smoke and mirrors that defies the senses. The best bonsai are magicians’ tricks that have fooled the eye into seeing a far off place in the distant past, or the side of a craggy cliff. We all have to strive to be the “magician.”


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Farm house


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   A farmhouse at a vineyard, Albany, Western Australia. Photo by Vaughan Willis, Thornlie, WA, Australia.


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Coin Collecting Glossary


As is the case with most hobbies, coin collecting has its own specialized terms or “lingo”. The following, while not an exhaustive list of all the coin collecting terms that you may encounter, provides definitions for the most commonly used terms.

Alloy

A combination of two or more metals in a coin such as cupro-nickel or cupro-zinc.

Ancient

Refers to any coin minted before 500 A.D.

Bag marks

Nicks, marks and scratches resulting from coins in a mint bag being in contact with each other.

Bi-metallic coin

A coin with the center made from one metal with its outer portion being comprised of a different metal.

Blank

A round piece of metal made for subsequent minting into coinage.

Bullion

A coin made of gold or other precious metal with little numismatic value apart from the current value of the metal from which the coin is made.

Cameo

A coin with a frosted appearance.

Circulated coin

A coin which has actually been used as money and shows some degree of wear.

Commemorative coin

A coin with a design struck in honor of some historical or current event, famous person or special anniversary.

Error coin

A coin minted by mistake or with a design different than intended.

Grade

The condition of a coin determined by a set methodology.

High points

The highest part of a coin’s design where the first signs of wear and tear generally appear.

Legend

The words that are inscribed around the outer edge of a coin, for U.S. coins, the legend inscription is E Pluribus Unum.

Mintage

The total number of coins of a particular denomination, date and/or type produced by a mint.

Mint mark

A symbol identifying the particular mint which produced the coin.

Mint state

An un-circulated coin in the same condition as when it was originally minted showing no signs of wear.

Numismatics

The study of coins, paper currency, tokens, medals, and other similar items.

Obverse

The “heads” side of the coin where a portrait of a president, king, queen or other national leader appears.

Proof coins

Coins that are struck with greater pressure than normal using specially polished dies to make the design more highly polished or mirror-like.

Reverse

The back or “tails” side of a coin, the opposite side to the obverse side of a coin.

Rim

The outer edge of a coin.

Un-circulated coin

A coin that has never actually been used as money and has no visible signs of wear.

Variety

Any change in the design of a coin results in a new coin variety.


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